Art Confidential: Farah Agarwal On Her 5 Most Recent Acquisitions

Art Confidential explores the ever-evolving world of contemporary art through the eyes of Indian collectors and designers. Each edition explores emerging trends in art buying, uncovers compelling artist stories, and highlights must-see exhibitions, offering a glimpse into the world of contemporary collecting in India. 

Interior design has been a part of Farah Agarwal’s life since childhood, long before it became a profession. With a background in science, she eventually pursued her creative calling through design courses and early freelance work, leading to the launch of Chestnut Storeys over a decade ago. Based in Chennai, her studio is known for interiors that blend bold expression with thoughtful functionality.

Each project is distinctive, guided by storytelling and a layered use of materials, colour, and form. Deco Haus in Chennai exemplifies how Indian art and craft can be seamlessly integrated with global design sensibilities. In this interview with Design Pataki, Agarwal shares insights into her creative journey and evolving interests.

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Is there a particular style or period you are drawn to when it comes to art?

I’m naturally drawn to bold contemporary artwork; there’s a freshness and individuality in how different artists interpret culture and emotion. I love the freedom it offers in terms of scale, technique, and subject-it feels unrestrained and deeply personal. If a space calls for some fusion, I like the idea of pairing traditional pieces in a modern setting. That said, I do find myself occasionally turning to traditional forms like Mughal miniature paintings to balance out more modern pieces. Their intricacy and quiet elegance can bring a certain grounding to a space when paired thoughtfully with contemporary works.

Tell us about the last 5 pieces of art you purchased and from where.

The last 5 pieces of art I purchased were a painting by Senaka Senanayake from iArt Gallery, a cast by Ravinder Reddy from Kalakriti Gallery, a 3D protrusion by Seema Kohli from Veda Art Gallery, works by F.N. Souza from Sumukha Gallery and Rekha Rodwittiya from Sakshi Gallery. 

Also read: The Ultimate Gallery Guide To Mumbai: 10 Must-Visit Art Spaces In Mumbai

Which three recent art shows stood out to you, and what’s next on your radar?

Some of the recent art shows I have been to include India Art Fair, Art Mumbai and a few shows at independent art galleries. I look forward to the India Art Fair every year – it’s where I recharge visually, creatively, and even emotionally. Seeing that mix of emerging talent and established voices, all under one roof, has an invigorating effect on me. It also opens up conversations – not just about what’s being made, but why it’s being made. I am also looking forward to the next edition of Art Mumbai and Art Basel.

A new artist you have recently discovered? Is the work by an emerging artist, or part of a larger movement you’re following?

Definitely. I’ve recently come across the works of Priyanka Aelay and have been following her journey- she’s an exciting emerging artist whose work I find quite interesting.

Also read: 5 Genre-Defying Installations By Women Artists At Art Basel Unlimited 2025

Has your professional background as an interior designer influenced your perspective on art?

Absolutely. Design has taught me to see art not just as something to admire, but as something that shapes the feeling of a space. I often think about how a piece can ground a room – how it balances texture and colour, or quietly shifts the mood of a corner. For me, art is never an afterthought. It’s a narrative tool, just like materials, layout, or light – something that helps a space speak with depth and clarity.

What’s next on your wishlist to collect—realistic or aspirational?

I’m always on the lookout for pieces that feel rooted in craft but speak in a contemporary voice. Something that quietly holds time. Next on my wishlist is a piece by Manjunath Kamath- his work has such a rich, layered visual language that I find endlessly intriguing.